In Endless Cut series No. 2 (2025), a suspended white circular form emerges from a muted field. Beneath it, a few restrained strokes gather into a minimal constellation, reminiscent of mountain ridges or drifting clouds, so that the circle appears like a moon above a hazy, barely graspable terrain. In both works, landscape becomes a space of quiet persistence. Çepo understands it not as a backdrop, but as a condensed site in which political experience, memory, and affect are held in a delicate balance through minimal means.