In Antonio Cosentino’s works, one finds a wealth of images distilled from everyday life, the depths of the individual, memory, and the visual culture of the artist’s city. While the shifting character of highbrow and low-brow art was being discussed in the 90’s contemporary art milieus, Cosentino and his artist friends undertook, as it were, the archaeology of a gaze which brought subculture into question. It is from this period on that Cosentino’s painting incorporated materials from the visual culture of our geography without letting one dominate the others: panels, signboards, wrappings and ceramic tiles. The artist’s images embrace an expression that is dislocated and fragmentary, but also somehow holistic and repetitive, thereby breaking open a third window: a mnemonic space that is at once colorful and meditative... While his memory constantly operates like an archivist, the artist documents all sorts of written and visual data. Cosentino’s mobile and ludic setup once again reminds us of the typical obliviousness of modernity, by suggesting concepts such as the fleetingness of megacities and urban architecture, the loss of human scale and localness, the superhuman speed and even consumption.
Antonio Cosentino graduated from the Department of Painting, Faculty of Fine Arts at Mimar Sinan University in 1994. He founded the art initiative Hafriyat with Hakan Gürsoytrak and Mustafa Pancar in 1996. The group had 16 exhibitions until 2010. Between 2006 and 2009 Cosentino founded independent art initiative and exhibition area named ‘Hafriyat Karaköy’. Aileye Mahsustur (Karşı Sanat Çalışmaları, İstanbul, Turkey, 2002), Yurttan Sesler (Karşı Sanat Çalışmaları, 2001) and Yerli Malı (Elhamra Sanat Galerisi, İstanbul, Turkey, 1999) are exhibitions that Cosentino participated with his works and also curated. His recent exhibitions include Jpeg Archipelago (Zilberman Gallery, Istanbul, Turkey, 2020), Don't Look Back Deep is the Past (Odunpazarı Modern Museum, Eskişehir, 2022), Summer was a Beautiful Day (Zilberman Gallery, Berlin, Germany, 2018), School Square Galatasaray (curator: Çelenk Bafra, Pera Museum, Istanbul, Turkey, 2018), HOME IS WHERE THE (HE)ART IS (Galerie Paris-Beijing, Paris, France, 2018), HARBOR (Istanbul Modern, Istanbul, Turkey, 2017); boxes of cigarettes and whisky all over the sea, ferâre, my love (Zilberman Gallery, Istanbul, Turkey, 2016); Istanbul, Passion, Joy, Fury (curators: Hou Hanru, Ceren Erdem, Elena Motisi and Donatella Saroli, MAXXI National 21st Century Arts Museum, Rome, Italy, 2015); Mom I’m Going Out to Pour Some Concrete (with Extrastruggle, Studio-X, Istanbul, Turkey, 2015); Escape from Marmara Sea: The Stelyanos Hrisopulos (Salt Ulus, Ankara, Turkey, 2015); Departure Marmara Sea (Bergsen & Bergsen, Istanbul, Turkey, 2013) and Tin City (Külah, Istanbul, Turkey, 2013). Having participated in numerous exhibitions both in Turkey and abroad, Cosentino contributed works to Spare Time, Great Work (Platform 3, Munich, Germany, 2011), and Tactics of Invisibility (Thyssen-Bornemisza Art Contemporary, Vienna, Austria; Tanas, Berlin, Germany; ARTER, Istanbul, Turkey 2010-2011) with the collective Hafriyat. The artist lives and works in Istanbul.
- That Pause of Space
- Jpeg Archipelago
- I’m an Eye, A Mechanical Eye
- An Exile On Earth
- Restless Monuments
- Summer was a Beautiful Day
- boxes of cigarettes and whisky all over the sea, ferâre, my love