Selçuk Artut (b. 1976, Izmir) explores the theoretical and practical dimensions of the intricate relationship between humans and technology. His practice examines the evolving dynamics of this interaction, focusing on how it shapes perception, experience, and the boundaries of creativity.Through his artworks, Artut creates convergence points between humans and technology, dissolving established boundaries.

Artut earned his PhD in Media and Communication from the European Graduate School in Switzerland. He is a faculty member in the Visual Arts and Visual Communication Design program at Sabancı University. Beyond his artistic practice, he is the author of seven books, reflecting his academic engagement with the intersections of art, media, and technology.

In addition to his research and visual arts practice, Artut is deeply involved in music. Since 1998, he has been a member of the post-rock avant-garde band Replikas, with whom he has released multiple albums. In 2016, he co-founded RAW (www.rawlivecoding.com), an audiovisual performance duo that explores creative and live coding techniques.

Artut's works have been showcased at major cultural venues and events, including Sonar Istanbul, ISEA, AKM Istanbul, Siggraph, Dystopie Sound Art Festival Berlin, Moving Image New York, Art London, ICA London, Art Hong Kong, and the Istanbul Biennial.

Artut’s solo shows includes; Phantom Limbs (Zilberman Selected, Istanbul, Turkey, 2025), Motifs in ad Infinitum: Remediations in Time (Hope Alkazar, Istanbul, Turkey, 2024), Surveillance (curator: Murat Çatık, Bilsart, Istanbul, Turkey, 2021), Dystopie Sound Art Festival (Istanbul 2021 - 2019, Berlin, 2018), If These Walls Could Hush, (Zilberman, Istanbul, Turkey, 2020), Habituation (Zilberman, Berlin, Almanya, 2019), Cohesion (Zilberman Projects, Istanbul, Turkey, 2016), Data Reality, (Zilberman Projects, Istanbul,Turkey, 2014), Forever, (Cda-Projects, Istanbul, Turkey, Art Hong Kong, Hong Kong, China, 2011), A/B, Amerikan Hospital Gallery "Operation Room", (Istanbul, Turkey, 2010) and some attended group shows include; 10th Asia-Europe Mediations Biennial (Artİstanbul Feshane, İstanbul, Turkey, 2023), Ambiguous Standards Institute: An Institute within an Institute (The Art Institute of Chicago, USA, 2021), Tempo Incognito: On Flows, Rhythm, and Movement (curator: Rana Öztürk, Depo, Istanbul, Turkey, 2021), Dystopie Sound Art Festival (Istanbul, 2021 – co-curator, 2019 - artist, Berlin, 2018 - artist), Aperion, Web Biennial (curator: İpek Yeğinsu, organized by: Istanbul Contemporary Art Museum, on web, 2020), Audio and Visual Performance (Coding the Party: Algorave, RAW, with Alp Tuğan, Salt Beyoğlu, Istanbul, Turkey, 2018), Extra/Ordinary, Contemporary Istanbul / Plug in New Media Section, (curators: Ceren-Irmak Arkman, Istanbul, Turkey, 2018) Functional Art, Audio and Visual Performance (RAW, with Alp Tuğan, Functional Art, Nara, Japan, 2016), Wavelengths, Europalia Arts Festival, Belgium, 2015), Moving Image (Zilberman Gallery, New York, Amerika, 2015), Art13 London (London,UK, 2013), Soundworks, ICA (London, UK 2012), 10th Istanbul Biennial: Not Only Possible, But Also Necessary: Optimism in the Age of Global War, (curator: Hou Hanru, Istanbul, Turkey, 2007)